Another research day in the books.

Last week I got to spend a few hours in Philadelphia after picking up some new inventory which a past client sold me as he gets ready to move out of the country.  I decided to keep the dining table so will be offering up my Heywood Wakefield triple wishbone table and dog bone chairs shortly.  If you are seeking, I can sell this set in need of a little refinishing (6 chairs our of 7).    I am thrilled with the round Herman Miller Architect's table and it really fits my room alot better.  For as much as I loved the Heywood set, it really is a large piece even with no leaves inserted!  That said, reach out if it interests you!

The beautiful building of the Philly Athenaeum. The library is on the 2nd floor.

The finale of the trip was a Harvey Probber catalog on reserve at the Philadelphia Athenaem.  This museum is an architect's museum.  So you can expect blue prints, buildings and other items of interest.  Harvey Probber furniture is actually more transitional than MCM.  More like Dunbar and Edward Wormley designs.  These designers played on traditional designs so you will see modern elements-curves and angles in tandem with tradition materials like cane and lots of brass bling.  Check first dibs and you will see a Probber piece will set you back quite a bit.  So now you know why I spend so much time on authentification.  If it truly is a Probber, it is a rarer piece.  None of my comps have labels and neither does mine.  Rule #1 of MCM.....never trust it because you SAW it on the internet.  PROOF PROOF PROOF.  If you are spending your money on something of provenance and the dealer does not provide you with adequate proof of this, or at least a well thought out reason to why they believe it is legit....keep walking.  Unless you really love the piece and do not care if it's legit, of course.  

My suspected Probber piece.  The brass rod is a common thread with other Probber pieces.  I have seen magazine racks like this that do not have the table top.  None of my comps are labeled.  

The librarian was waiting with my materials when I arrived for the scheduled appointment.  The folio contained just a small catalog.  I was able to take pics (as is common with museums and collections.....they want to protect their collections and do not want bad photos published.  Makes sense.  Copy right protection is real.  SO I cannot share any pics with you of the catalog but she is safe there in Philadelphia waiting for you to sign her out for the hour.  It may have had about 50 pages, in black and white with some nice photography.  The really cool X or scissors chairs that have a brass rod similar to my table were in there as were some other things I recognized from around the web.  The note on the chairs said '...The new "Probber" chair is distinguished by its elegance of line, achieved through the application of new electronic laminating techniques used in its manufacture.'  Probber was young....like 15 when he started pitching furniture designs to companies.  He really was a go getter.  His line of modular couches were one of the first in the realm.  He had his own furniture company for many years, selling through designers and did a lot of custom work.  Classy is the best way I can describe his designs.  Innovative as well.  So my table or similar magazine rack was not in the booklet.  I was told about 2 places in Delaware where I can expand my search.  I plan on investigating the holdings at Wintethur and Hayley.

BACK TO THE CUTTOLI LEGER RUG..... 

I also received a few documents from my friend at Kykuit.  These were published by scholars and I could not find a free copy to view but she managed to get me a copy and I am ever so thankful.  The one I really thought would be a great read, in fact, was!  Published by Virginia Gardner Troy, 'Easel Tapestries: The American Reception of the Marie Cuttoli Tapestries 1930s-1950s' hit the mark.  Ms Troy really delves into the history of Cuttoli and her creations and then the element of reproduction of an artists work.  She works through the timeline from the original tapestry series of the 1930s through the exhibition and reception of the works into the 1960s editions.  I found what I was looking for when she touched on this specifically with the following regarding Nelson Rockefeller: “10 years later (1962) he purchased Matisse’s ‘Papeete’ and 2 Leger carpets from Cuttoli via her partnership with Galarie Lucie Weill in Paris.  Both tapestries were deaccessioned by the 1970s.”  The literal meaning of deaccessioned is when a listed item is removed from a collection most likely to sell to raise funds.  We know those rugs were not sold as they still reside at Kykuit and are once again on display to the public.  Amazing how much information gets lost in a relatively short period of time!  Troy cites documents from the Rockefeller archives which means the information exists but to reasonably piece this story together takes numerous sources of varying origins.  It is quite fascinating to discover this and now I have proof of what I figured out some time ago.  This chapter can now be closed and I can say without a doubt what I have.  As to which socialite and art collector owned mine.....I guess I may never figure that out. 🤷‍♂️

New acquisitions.

i have been adding some really neat items to my inventory.  Here is a quick overview.  

Contemporary Italian chrome bar cart. 

Amazing Morris of Glasgow (yes, Scotland) mixed teak and mahogany veneer credenza.  Designed by Neil Morris.  Features angled shelves and felt lined top drawer.

Unmarked teak danish style hutch.  Features glass doors (not pictured), 2 drawers and bottom cabinet.  Compact size to display your collections.  

Currently working on rebuilding this bench and I have a buyer who is customizing it with me. New strapping installed!

More coming!  I just sold the first danish style lounge and have another that I will be restrapping and making cushions for.  Keep your eyes peeled to my Instagram or Facebook so you don’t miss anything!

Have a great week!  XO MALISSA

The best things in life are shared. My trip to Kykuit.

One of a very limited edition, there were less than 20 made. This Fernand Leger design, known as ‘Blanc’ was most likely made and sold during the 1960s American tour of Marie Cuttoli’s textile exhibit and in collaboration with Galerie Lucie Weill. *photo credit J Federici

It was just about a year ago when I won a gorgeous piece of history and started researching it.  I learned a lot about wool, moths and fine rugs.  The piece was multifaceted with history and part of a very limited edition of hand knotted rugs. The artist whose work was featured, Fernand Leger, was commissioned to create the maquette or cartoon used in the design. The woman who orchestrated this project has just as fascinating history.  Marie Cuttoli, originally the wife of a French Senator, had a vision of reviving the tapestry arts in the 1920’s.  She spent time in her Algerian mansion and appreciated the artisans there.  She worked with a group of women who learned to weave and create works of art from the cartoons.  

These pieces generally took 8 months to weave and thus most seem to have been ordered and shipped from Paris. I was able to find our a little about a few of the owners of these pieces scouring auction comps from Christie’s, Sotheby’s and other high end auction houses.  Some notable former owners include Vera G List, socialite, philanthropist and notable art collector.  I read a transcript from an interview with her in 1973 available from the Archives of American Art which explored her thoughts on collecting and her involvement in the organizations she supported.  Another collector/owner was Robert and Andriene (Andrea) Bollt.  Andrea was also known as an avid modern art collector and philanthropist.  

It was at some point after I listed my piece in my online markets that I was contacted by a curatorial assistant with Kykuit, the Rockefeller family estate.  They held a few pieces from the Cuttoli series in their collection and wanted to find out more about them.  I agreed to share my research, sources and comps with them and planned on making the drive to Tarrytown, NY to tour the estate. 

Enjoying the Grand Tour at Kykuit, the Rockefeller Estate in Tarrytown, New York.  *photo credit J Federici

I grabbed a friend and scheduled my appointment and Grand tour, as advised by the Curator.  She mentioned that only the 2 longer tours take you into the basement art galleries where the rugs are on display.  Also note that there are many beautiful Calder tapestries on display and any modern art fan would not want to miss this!  

The estate was absolutely amazing! From the gorgeous gardens to the amazing home and antiques, the tour guide was great and really gave us a lot of history on the family and how life was in that compound.  Heavily Asian influenced, the decor was elegant and scattered with Nelson’s modern tastes. It all worked well together.  

After the final stop on the tour at the coach house (filled with buggies that would make my Mennonite friends jealous!), I sat and chatted with the curator and showed her my catalogs and references, presented her with a written summary of comps and info and discussed theories on the origins of the pieces held in our collections. She was lovely and it was so refreshing to discuss this with a like minded individual.  Having to piece together the series of circumstances with these items really makes me appreciate the organizations that preserve this history.  I have used many of them and give back to support them when I can.  

Today I am traveling to Philadelphia to visit the Athenaeum to peruse a Harvey Probber catalog to see if I can authenticate a table I have that is attributed to him.  Another day, another fun expedition.  I will report on that next week.  In the mean time, I will leave you with a few of my shots in the gardens at Kykuit.  Have a great week!  

XO Malissa

Beautiful views of the Hudson River from this perch!  

Kykuit- Hudson valley on the horizon!

I finally got an answer on why I am getting people on my list that say they were never on my website! Apparently there are spambots hacking into the mailchimp and I can set up a captcha when people sign up.  I have not figured that out yet but plan on it.  If you got here from a spambot, I apologize but stick around if you love vintage goodies!  😉💕 

I am still working my way through my estate sale loot and most recently added some nice 70s-80s era point and shoot cameras.  They are all untested but I have no reason to believe they won’t work if you choose.  They make great props and displays.  I will be busy this weekend so don’t expect much there but I did get the dressers up on Etsy and chairish, minus one I need to retake photos for because the photo nazi’s don’t like my pics.  If you want to make your own set with these, I would gladly discount for multiples. Also, local cash deals get my bests price. 

4 drawer chest in gorgeous walnut veneer. 

Walnut night stand with plastic laminate top, single drawer and open shelf. 

They want me to hang the mirror. The mirror can actually be used separately or attached to the unit.  There are hooks for wall hanging. 

I also have a few danish pieces coming soon. Stay tuned to my social media! 

My trip to Kykuit is scheduled and I will be touring the estate with one of the public tours followed by a meeting with the assistant curator.  I cannot wait to share my research and materials on Marie Cuttoli and  the Fernand Leger rug in their collection, which happens to be in my inventory as well.  It is such a special piece and historic in more than one way.  To be in the room with a second is a dream.  I cannot wait to report back on my adventure and I have some work to do before I go.  I will be presenting my research and would like to get my notes in a logical format on paper to pass on.  This is what it is all about. Preserving these awesome artifacts and their stories!  More to come! 

XO Malissa

Adventures to come!

I have been keeping this secret since I have had other things to talk about but this week’s update will fill you in!  In my business life, many things happen that just seem to materialize and I just cannot explain why I was so lucky to be at the right place at the right time with the right instincts for everything to happen.  Finding the awesome Fernand Leger rug was one of those moments.  Although I am blessed to have it in my possession, I knew early on that it came with some issues I had to tend to like the cleaning (a $250 investment) and then there is the restoration work to replace the knots that were chewed by some hungry moths which is quoted but out of my budget without a buyer in the wings. I have spent a lot of time researching it and have purchased materials useful in my quest.  You see, the woman who is responsible for this awesome piece was responsible for bringing back the tapestry arts in the 1920’s in addition to being a patron of the fabulous artists she honored.  Her Paris fashion house, Maison Myrbor, also turned out haute couture clothing which is found in museums around the globe.  The tapestry arts were never a booming industry but she exhibited over the years and info can be found.  

Back to how I fit in here.  I was contacted by a woman who works for a prominent estate, now museum of the family’s collection and he has my rug in her collection along with another in the series.  They have no info on them and are hoping I will share my research  with them. Of course!  I will be taking time to write my notes out for her and will be visiting the estate when they open for the season this spring to meet with her.  I cannot wait and will be sharing my experience with you all when I get back. I have one local stone to unturn on this research as the traveling exhibit where the rugs in my series where sold in the 60s came to Allentown so the museum is on my list to contact to see if they have info or perhaps staff or volunteers I can reach out to.  This whole adventure will help me build provenance with the rug as well as myself.  Overall a fun adventure!  Such a special piece of art and textiles with only 20 or less ever made.  A super rare collectible!  

On another note I am running a sale on most furnishings in honor of my birthday month just in the Etsy shop.  If you are looking to add something to your home, reach out now to secure the price.  Many items leave me with little profit at that price but I need to move some big items so trying to entice the people with them in their carts to commit.  Subject to end at my whim.  I also have a set on hold that will be delivered next month to New Hampshire.  Reach out if you see something and are near or could meet me during that trip.  If it fits with the set I would meet for a fee way less than the cost of shipping. 

Don’t forget I have an album of new gift appropriate items pinned to the top of my Facebook.com/madformodmalissa page where you can claim items, fill a box and I will pack and ship to you.  These are all priced at wholesale! With spring holidays on the way, take a look and claim some goodies!  I will need your email and will send you a PayPal invoice. If you are local to me I can get your items delivered.​

Thanks for following! Lots more fun to come soon!  ​

​Xo Malissa 

Preserving a masterpiece and other things about fine wool rugs you may not already know.

I always enjoy a good research project.  The Leger rug has become this summer's mission.  My first stop was Ward's Oriental Rugs in Allentown, PA.  I am always concerned about pieces I bring into my home and having this professionally cleaned was at the top of my list.  I also wanted to talk restoration.  

My family did not have heirloom rugs so care and maintenance was not something I was familiar with. I am skilled enough in textiles to recognize the moth damage and know that a textile such as this needs regular maintenance and care to survive generations. The first thing I learned about care is regular vacuuming is essential to keeping your wool carpets from degrading.  Embedded dirt wrecks the fibers.  Also on the agenda should be regular washing by a professional rug cleaner. In low traffic areas, this should be done every 3 years.  A rug in a high traffic zone can be done yearly. 

Moths are attracted to dirty wool.  Rolling up a rug to store that is not clean is pretty much an invitation for moth activity.  They move in and work quickly at ruining woolens.  The larvae actually eat the knots so the piling just falls right out. But most modern rugs like my wall to wall modern carpets, are not something they would go for....that was a relief to hear!  I learned that freezing the rug will actually explode the moth eggs.  Good to know when you are bringing in new pieces all the time.  If they are small enough to get in my freezers, I am good to go. Wards has a large freezer so step one for them was to keep my piece in it for 3 days. Then they would do a thorough wash, protecting the dyed yarn from bleeding and I already knew it was not colorfast. Once clean and all of the damage was exposed, I would receive a quote for reweaving the areas of missing pile.  This is done by a skilled weaver who will match wool to the rest of the piece.  In most cases, a restoration adds value to a rug and unlike some antiques where repairs are not recommended, this does not detract at all from the value of a rug.  

The largest area of moth damage after the wash. This will all be repaired by an expert rug weaver. it could have been much worse so glad I was able to save this beauty!

The showroom at Ward's Oriental Rugs in Allentown is full of beautiful hand woven carpets, new and vintage. 

Ward's Oriental Rugs has a fabulous showroom in Allentown, PA.  If you are in the area, they have a fine selection of new and used carpets and are extremely knowledgable about them. It was a pleasure to work with them and I look forward to finishing this restoration!  Due to the slow time of year and my cash flow, I am holding off the the reweaving until I can fund it but hopefully it will be complete in the next few months.  

Materials I reviewed in the library at the Philadelphia Art Museum. 

My research:

 In the mean time, I have been researching this rug like crazy. I spent a day reviewing some catalogs at the Philadelphia Art Museum and ordered a 1960's catalog from a tour of Marie Cuttilo's works, of which the Maquette or working sketch for this piece was included. The rug in the tour was larger than mine and slightly different coloring, so I really want to make sure that this rug was not copied by another maker.  I am certain that everything on this piece follows suit with what she made, however, but the only way to be sure is to find the proof. I have a magazine coming that has an article about her tour so hoping that helps as well.  She had this tour in the 60s to sell more rugs and although that did not go as well as she had liked, I suspect that this rug was one of those she sold.  I have some good comps on it that all provide a little more info and provided those galleries did their research thoroughly, I am still convinced this is her piece albeit a mid century produced piece and not from her beginnings in the 20s and 30s. Regardless, I do believe this was a very small series of about 20 so it is definitely not going to be something that pops up a lot for collectors and that makes it very special.  Whether a fan of the artist Leger or a fan of the amazing woman who attempted to bring back the art of tapestry by translating fine art into fiber art, this rug is just an amazing representation of a time when both worlds collided. 

A Marquette is the working drawing that was commissioned by the artist and which the rug design was based on. Most refer to this design as 'Blanc' which is referring to the white background on this design. 

The cleaned rug all ready for restoration. It was frozen, cleaned and treated with a moth deterrent.  I would hope my future buyer will consider hanging it, but I was told it has many years of life left on the floor if properly maintained and in a low traffic area.

I will update more if I discover more about this piece or start to proceed on the restoration work! 

XO Malissa